上海 · 圆舞曲的回响——史蒂文·奥斯本钢琴独奏音乐会

今年4月刚在音乐厅“数字缪斯——音乐科技融创节”参演特别项目的钢琴家史蒂文·奥斯本，将于11月29日带来中国大陆独奏首秀。这位身兼克拉拉·哈斯姬尔与瑙姆堡两大国际比赛冠军，以深刻的音乐洞察力及多元曲库而闻名。 此次，他将用一场音乐会，串起两个世纪的“圆舞曲”。采用2025年10月英国威格莫尔音乐厅完全相同的曲目顺序，整场音乐会以“圆舞曲”为主题串联，它并没有从到尾都演奏“圆舞曲”，相反，奥斯本选择了7位作曲家、7种完全不同的声音语言，让“圆舞曲”从一种具体的舞蹈形式，逐渐变成一种关于舞会、记忆、爱情、梦境、忧郁和变形的音乐意向。 从舒曼的假面舞会开始，到萨蒂的静止、布朗热的花园、里亚多夫的八音盒、克莱斯勒的爱情、拉威尔的圆舞曲，最终抵达贝多芬的《迪亚贝利变奏曲》。从圆舞曲的沙龙起源、19世纪的浪漫主义变形，到现代音乐的重新诠释，最终走向贝多芬晚期作品的总结。 曲目单 罗伯特·舒曼：蝴蝶，作品第二号 Robert Schumann：Papillons, Op.2 恩里克·萨蒂：吉诺佩蒂第三号 Éric Satie：Gymnopedie No.3 丽丽·布朗热：“明亮的花园”选自《三首钢琴曲》之二 Lili Boulanger：D'un jardin clair from Trois Morceaux pour piano 阿纳托利·里亚多夫：音乐鼻烟盒，作品 32 号 Anatoly Lyadov：A Musical Snuff Box, Op. 32 弗里茨·克莱斯勒：爱的忧伤（拉赫玛尼诺夫改编钢琴独奏版） Fritz Kreisler：Liebesleid (ARR. Sergei Rachmaninoff) 莫里斯·拉威尔：高贵而伤感的圆舞曲（钢琴独奏版） Maurice Ravel：Valses nobles et sentimentales 中场休息 Intermission 路德维希·凡·贝多芬：以安东·迪亚贝利的圆舞曲为主题的三十三首变奏，作品120号 Ludwig van Beethoven：33 Variations in C on a Waltz by Diabelli, Op.120 *本场音乐会全场无歌词 *曲目以现场演出为准 艺术家 史蒂文·奥斯本 STEVEN OSBORNE 克拉拉·哈斯基尔国际钢琴比赛与瑙姆堡国际钢琴比赛一等奖 BBC音乐杂志奖、《留声机》杂志奖 他在 Hyperion Records 录制了数十张唱片 获得无数大奖 史蒂文·奥斯本在著名的克拉拉·哈斯基尔国际钢琴比赛（1991年）和瑙姆堡国际钢琴比赛（1997年）中均荣获一等奖。他所获众多奖项包括皇家爱乐协会年度乐器演奏家奖、两项BBC音乐杂志奖以及两项《留声机》杂志奖。 史蒂文·奥斯本深刻的音乐洞察力和严谨的艺术操守支撑着其对多元曲库的地道诠释，令其赢得全球乐迷的赞誉。他为亥伯龙公司录制的35张唱片不仅屡获殊荣，更印证其艺术疆域之宽广。他在2022年的女王新年礼仪仪式中，因对音乐的卓越贡献而被授予大英帝国官佐勋章，《观察家报》赞誉其为“全然服务于作曲家的演奏家”。 他是一位勤于思考、充满探索精神的音乐家，曾受邀担任威格莫尔音乐厅、安特卫普交响乐团、伯明翰市立交响乐团和巴斯国际音乐节担任驻场艺术家。同时他撰写多篇文章，开设专题讲座，议题涵盖“舞台恐惧”到“音乐意蕴何在”等诸多内容，并经常受邀担任音乐节策划人，包括安特卫普的DeSingel和安特卫普交响乐团的演出季。 奥斯本是BBC逍遥音乐节的常客，在那里演出过15次。2024年，他在同一周内举办了两场音乐会，第一场是与尼古拉斯·科隆（Nicholas Collon）指挥的BBC爱乐乐团合作，在梅西安的《图兰加利拉交响曲》（Turangalîla-Symphonie）中演出，随后与尼古拉斯·科隆指挥的芬兰广播交响乐团合作同样的作品。稍后他又与伦敦交响乐团合作演奏了格什温的《蓝色狂想曲》（Rhapsody in Blue）。 他对爵士乐抱有毕生热忱，经常将即兴演绎融入音乐会，把这种自发性和自由带到他所有的诠释中，并表演他自己的改编曲作为返场。 奥斯本的演出足迹遍布全球顶级殿堂，曾登台维也纳音乐厅、阿姆斯特丹音乐厅、柏林爱乐音乐厅、汉堡易北爱乐音乐厅、东京三得利音乐厅和华盛顿肯尼迪中心等，更常年作为常驻艺术家受邀亮相林肯中心与威格莫尔音乐厅。 奥斯本曾与众多世界顶尖交响乐团合作，近期合作对象包括：由贝奇科夫指挥的捷克爱乐乐团、鲁尼克斯指挥的德累斯顿爱乐乐团、柏林德意志交响乐团、彼得连科执掌的奥斯陆爱乐乐团、科隆执棒的芬兰广播交响乐团、鲁瓦利指挥的爱乐乐团以及读卖日本交响乐团。 自1998年成为亥伯龙唱片公司签约艺术家以来，奥斯本已录制涵盖贝多芬、舒伯特、拉威尔、李斯特、斯特拉文斯基、普罗科菲耶夫、拉赫玛尼诺夫、梅特纳、卡普斯汀、梅西安、布里顿、蒂皮特、克拉姆和费尔德曼的作品，并在世界各地赢得了无数奖项。其最新录制的《舒伯特A大调钢琴奏鸣曲D959》（Piano Sonata in A major D959）与《音乐瞬间》（Moment Musicaux）于2025年问世，不仅获得乐评界极高评价，更被《泰晤士报》评为“2025年度迄今最佳古典专辑之一”（五星推荐）。2023年发行的德彪西《练习曲与<为钢琴而作>》（Études and Pour le piano）获《BBC音乐杂志》五星声誉，被誉为“臻至化境之作”。而他于2023年1月与指挥家爱德华·加德纳（Edward Gardner）执棒的伦敦爱乐乐团在皇家节日音乐厅（Royal Festival Hall）合作演奏了蒂佩特的（Tippett）《钢琴协奏曲》（Piano Concerto），并于2025年以伦敦爱乐乐团LPO自主厂牌发行，获得业界广泛赞誉。 奥斯本出生于苏格兰，曾就读于爱丁堡的圣玛丽音乐学校和皇家北方音乐学院。现任苏格兰皇家音乐学院和皇家音乐学院的客座教授，苏格兰国际钢琴比赛和拉默缪尔音乐节的荣誉主席，并于2014年当选为爱丁堡皇家学会会员。 Steven Osborne won first prize at the prestigious Clara Haskil Competition (1991) and the Naumburg International Competition (1997). His numerous awards include The Royal Philharmonic Society Instrumentalist of the Year, two BBC Music Magazine Awards and two Gramophone Awards. Steven Osborne’s musical insight and integrity underpin idiomatic interpretations of varied repertoire that have won him fans around the world. The extent of his range is demonstrated by his 35 recordings for Hyperion, which have earned numerous awards, and he was made OBE for his services to music in the Queen’s New Year Honours in 2022. The Observer described him as ‘a player in absolute service to the composer’. A thoughtful and curious musician, he has served as Artist-in-Residence at Wigmore Hall, Antwerp Symphony Orchestra, City of Birmingham Symphony Orchestra and Bath International Music Festival, and has written articles and talks on subjects ranging from stage fright to What does Music Mean? And he was often invited to curate festivals, including at Antwerp’s DeSingel,and for Antwerp Symphony Orchestra. Osborne is a regular visitor to the BBC Proms, having performed there 15 times. In 2024 he gave two concerts in the same week, the first in Messiaen’s Turangalîla-Symphonie with the BBC Philharmonic under Nicholas Collon, with whom he performs it later in the season with Finnish Radio Symphony Orchestra. He then performed Gershwin’s Rhapsody in Blue with the Sinfonia of London. He has a lifelong interest in jazz and often improvises in concerts, bringing this spontaneity and freedom to all his interpretations, and performing his own transcriptions as encores. Osborne has performed in the world’s most prestigious venues, including the Wiener Konzerthaus, Amsterdam Concertgebouw, Berlin Philharmonie, Hamburg Elbphilharmonie, Suntory Hall and Kennedy Center Washington, and is a regular guest at both Lincoln Center and Wigmore Hall. He has worked with major orchestras around the globe, most recently Czech Philharmonic/Bychkov, Dresden Philharmonic/Runnicles, Deutsches Symphonie Orchester Berlin, Oslo Philharmonic/Petrenko, Finnish Radio Symphony/Collon, Philharmonia/Rouvali and Yomiuri Nippon Symphony Orchestras. He has been a Hyperion recording artist since 1998, with releases spanning Beethoven, Schubert, Ravel, Liszt, Stravinsky, Prokofiev, Rachmaninov, Medtner, Kapustin, Messiaen, Britten, Tippett, Crumb and Feldman, and winning numerous awards around the world. His most recent addition is Schubert’s Piano Sonata in A major D959 and Moment Musicaux in 2025, which received outstanding reviews, and which The Times hailed as one of the Best Classical Albums of 2025 so far (five stars). His 2023 Debussy Études and Pour le piano, was awarded five stars by BBC Music Magazine and described as ‘full of superlatives’. His January 2023 performance of Tippett’s Piano Concerto with the London Philharmonic Orchestra under Edward Gardner at the Royal Festival Hall was later released on the LPO’s own label in 2025, receiving widespread critical acclaim. Osborne was born in Scotland and studied at St Mary’s Music School in Edinburgh and the Royal Northern College of Music. He is Visiting Professor at the Royal Academy of Music and the Royal Conservatoire of Scotland, Patron of both the Scottish International Piano Competition and the Lammermuir Festival, and was elected a Fellow of the Royal Society of Edinburgh in 2014.