巴洛克华章——法比奥•比昂迪与欧洲嘉兰古乐团音乐会

*1.2米以下儿童谢绝入场 11月14日，巴洛克小提琴大师法比奥·比昂迪携手意大利的国宝级乐团——欧洲嘉兰古乐团，时隔8年重返上海！比昂迪身兼独奏与指挥，以一把小提琴引领整个乐团，在鲜活而充满张力的演奏中，还原巴洛克音乐的呼吸与律动。 2018年5月12日，欧洲嘉兰古乐团曾首登上海音乐厅，以鲜活的本真演奏为沪上乐迷留下深刻记忆。当年有乐迷感慨，巴洛克的叙事一程叠一程，一秒便能将人拉回几百年前的威尼斯；也有乐迷期待，比昂迪能将更多被重新发现的意大利巴洛克作曲家作品带到上海。 时隔8年重返上海，比昂迪与欧洲嘉兰古乐团将带来科雷利《D大调大协奏曲，作品6，第4号》、杰米尼亚尼《D小调大协奏曲，作品5，第12号“弗利亚”》、洛卡泰利《戏剧引子，作品4，第1号与第4号》，以本真风格铺开意大利大协奏曲从科雷利到洛卡泰利的脉络；下半场音乐会则是维瓦尔第《四季》完整呈现。 11月14日，期待与你一起，在上海音乐厅的穹顶之下，听见巴洛克华章。 曲目单 阿尔坎杰洛·科雷利 D大调大协奏曲，作品6，第4号 Corelli, Arcangelo Concerto grosso in D major, Op.6 No.4 弗朗西斯科·杰米尼亚尼 D小调大协奏曲，作品5，第12号，“弗利亚” Geminiani, Francesco Concerto Grosso in D minor, Op.5 No.12 'La Folia' 彼得罗·洛卡泰利 戏剧引子，作品4，第1号与第4号 Locatelli, Pietro Antonio Introduzioni Teatrali, Op. 4, No. 1 & 4 中场休息 Intermission 安东尼奥·维瓦尔第：四季 Antonio Vivaldi：The Four Seasons * 曲目以现场为准 艺术家 法比奥·比昂迪 Fabio Biondi 欧洲嘉兰古乐团创始人 指挥、小提琴家 法比奥·比昂迪于1989年在与多个专业合奏团（包括卢浮宫音乐家合奏团和英国音乐会合奏团）广泛合作之后，创立了“欧洲嘉兰古乐团”，该团迅速成为意大利享有盛誉的古乐合奏团。比昂迪及其合奏团以“鲜活而充满活力的演绎”（《纽约时报》）著称，为巴洛克、古典及早期浪漫派曲目注入新的生命力，并在国际主要音乐节和舞台演出，近期亮点包括柏林皮埃尔·布列兹音乐厅、汉堡易北爱乐音乐厅、维也纳音乐厅、埃内斯库音乐节和爱丁堡国际音乐节。 比昂迪将这种本真而引人入胜的音乐诠释方式带入现代交响乐团和室内乐团，他既担任指挥，也同时从小提琴首席位置进行指导。近期及未来的合作乐团包括芝加哥交响乐团、罗马圣切契利亚国立音乐学院管弦乐团、都灵RAI国家交响乐团、北德广播爱乐乐团、法兰克福广播交响乐团、卑尔根爱乐乐团、芬兰广播交响乐团、马勒室内乐团和萨尔茨堡莫扎特管弦乐团。他曾担任斯塔万格交响乐团巴洛克音乐艺术总监长达十一年，直至2016年。 比昂迪在歌剧领域经验丰富且充满热情，曾受邀在苏黎世歌剧院、柏林国立歌剧院等主要歌剧院演出，并于2020年登上日内瓦大剧院，参与卢克·佩瑟瓦尔执导的莫扎特《后宫诱逃》新制作。他于2015年至2018年担任瓦伦西亚索菲亚王后艺术歌剧院音乐总监，期间指挥了多尼采蒂、罗西尼、海顿及威尔第《海盗》等剧目。 作为小提琴家，他被誉为“无可挑剔的”演奏大师（《卫报》），曾在卡内基音乐厅、威格莫尔音乐厅、马德里国家音乐厅和巴黎音乐城等地举办独奏会。 他在华纳古典、维京唱片和格洛萨唱片公司发行的大量录音为他赢得了众多奖项，包括“金音叉年度大奖”和“震撼音乐奖”；他与欧洲嘉兰古乐团录制的维瓦尔第《四季》广受好评，被五个以上国家的权威机构评为“年度唱片”。比昂迪还与乔伊斯·迪多纳托、黛安娜·达姆劳、菲利普·雅鲁斯基、维维卡·热诺和罗兰多·维拉松等歌剧巨星合作录制唱片。他近期录制的帕格尼尼《小提琴与吉他奏鸣曲》被《留声机》杂志和《BBC音乐杂志》评为“编辑之选”。 比昂迪自2011年起担任罗马圣切契利亚国立音乐学院院士；2015年被法国文化部授予“艺术与文学骑士勋章”；2019年因卓越的文化成就获波兰政府颁发“勇气与真理奖章” In 1989, following extensive work with specialist ensembles including Les Musiciens du Louvre and The English Concert, Biondi founded Europa Galante, which quickly became the foremost Italian period ensemble. Biondi and his ensemble have forged a reputation for “fresh, vibrant performances” (New York Times) and breathe new life into Baroque, Classical and early Romantic repertoire, performing at leading international festivals and stages with recent highlights including the Berlin Pierre Boulez Saal, the Elbphilharmonie Hamburg, the Wiener Konzerthaus, the Enescu Festival and the Edinburgh International Festival. Biondi brings this authentic and engaging approach to modern symphony and chamber orchestras, which he both conducts and directs from the violin. Recent and future highlights include the Chicago Symphony, Orchestra dell’ Accademia Nazionale di Santa Cecilia, RAI Torino, NDR Radiophilharmonie, Frankfurt Radio Symphony, Bergen Philharmonic, Finnish Radio Symphony, Mahler Chamber orchestras and the Mozarteumorchester Salzburg. He was Artistic Director for Baroque Music at the Stavanger Symphony Orchestra for eleven years until 2016. Biondi’s experience in and passion for opera takes him to major houses including Zurich Opera, Berlin’s Staatsoper unter den Linden and in 2020 to the Grand Théâtre de Genève for Luk Perceval’s new production of Mozart Die Entführung aus dem Serail. He was Music Director 2015–18 of Valencia’s Palau de les Arts Reina Sofia, where he conducted productions of Donizetti, Rossini, Haydn and Verdi Il Corsaro. As a violinist, he is respected as a virtuoso “beyond reproach” (The Guardian), performing in recital across the world including at Carnegie Hall, Wigmore Hall, Auditorio Nacional de Música Madrid and Cité de la Musique. His broad discography on Warner Classics, Virgin and Glossa has earned Biondi numerous awards, including the Diapason d’Or de l’Année and Choc de Musique; his widely acclaimed recording with Europa Galante of Vivaldi Four Seasons was named Disc of the Year by organizations in over five countries. Biondi has also recorded with opera stars such as Joyce DiDonato, Diana Damrau, Philippe Jaroussky, Vivica Genaux and Rolando Villazón. His recent recording of ,Paganini: Sonatas for Violin and Guitar' was named Editor's Choice by the Gramophone Magazine and the BBC Music Magazine. Biondi has been an academician of the Accademia Nazionale di Santa Cecilia since 2011, he was named in 2015 an Officer of the National Order of Arts and Letters by the French Ministry of Culture, and in 2019 was awarded the medal of Courage and Veracity by the Polish Government, in recognition of outstanding cultural achievements. 欧洲嘉兰古乐团 Europa Galante 欧洲嘉兰古乐团于1989年由艺术总监法比奥·比昂迪创立，旨在为巴洛克和古典曲目的历史风格演奏提供纯正的意大利声音——当时该领域主要由北欧诠释者主导。该团凭借首张维瓦尔第协奏曲录音迅速获得国际成功，赢得奖项并为风格严谨和诠释活力树立了标杆。在随后的几十年里，其大量广受好评的唱片赢得了众多国际荣誉，包括金音叉奖、BBC推荐和三项格莱美提名。经常受邀在世界知名音乐厅演出，巩固了欧洲嘉兰古乐团在领先古乐器合奏团中的地位。 除了以革命性的新视角呈现维瓦尔第《四季》等意大利巴洛克名作外，欧洲嘉兰古乐团还重新发现并复兴了18世纪被遗忘的珍品。在与罗马圣切契利亚国立音乐学院的合作中，该团演出了安东尼奥·卡尔达拉、莱昂纳多·莱奥和吉安·弗朗切斯科·迪·马亚等作曲家的重要作品，并致力于推广斯卡拉蒂的舞台作品。该团的研究驱动型活动获得了意大利权威奖项的认可，包括意大利音乐评论家颁发的多项阿比亚蒂奖。 该团还将历史风格演奏实践扩展至19世纪早期美声曲目，于2001年威尔第音乐节上首次演出了贝利尼的《诺尔玛》。欧洲嘉兰古乐团在世界各地的音乐节（包括肖邦音乐节）上演出了贝利尼、多尼采蒂和威尔第的作品。该团还演出波兰作曲家斯坦尼斯瓦夫·莫纽什科的作品。除了管弦乐活动外，欧洲嘉兰古乐团还在其室内乐项目中探索广泛的曲目，包括路易吉·博凯里尼的五重奏和卡洛·蒙扎未出版的四重奏。 欧洲嘉兰古乐团的特色植根于其成员长期以来的凝聚力，以及他们在法比奥·比昂迪的指导愿景下共享的诠释理解和热情。通过持续的巡演、驻场和学术活动，音乐家们继续以历史真实性、艺术卓越性和诠释创新性的平衡，引领国际早期音乐舞台。2026年，他们将开展覆盖亚洲、迪拜和南美洲的大规模巡演，并继续在帕尔马双重剧院基金会驻场。 Europa Galante was founded in 1989 by artistic director Fabio Biondi to provide an authentically Italian voice in the historically informed performance of Baroque and Classical repertoire - a field then largely shaped by Northern European interpreters. The ensemble achieved immediate international success with its debut recording of Vivaldi concertos, winning awards and setting a benchmark for stylistic rigour and interpretive vitality. Over subsequent decades, it’s extensive and acclaimed discography has won numerous international honours, including Diapason d’Or citations, BBC selections and three Grammy nominations. Regular invitations to perform in the world leading concert halls have confirmed Europa Galante’s standing among the foremost period-instrument ensembles. As well as bringing famous compositions of the Italian Baroque such as Vivaldi’s Four Seasons to revolutionary new light, Europa Galante rediscovers and revives forgotten treasures of the 18th century. In a collaboration with the National Academy of Santa Cecilia the ensemble performed significant works by composers such as Antonio Caldara, Leonardo Leo and Gian Francesco di Maja, and has championed the stage works of Scarlatti. The ensemble’s research-driven activity has received recognition through prestigious Italian prizes, including several Abbiati awards made by Italian music critics. The ensemble has also extended its historically informed practice into early 19th-century bel canto repertoire, first performing Bellini’s Norma at the 2001 Verdi Festival. Europa Galante has performed Bellini, Donizetti and Verdi at Festivals around the world, including the Chopin Festival. The ensemble also perform works by Polish composer Stanisław Moniuszko. Beyond its orchestral activity, Europa Galante explores a broad range of repertoire in their chamber projects, including the quintets of Luigi Boccherini and unpublished quartets of Carlo Monza. Europa Galante’s identity is rooted in the long-standing cohesion of its musicians and they shared interpretative understanding and passion, under the guiding vision of Fabio Biondi. Through their ongoing touring, residencies and scholarly engagement, the musicians continue to lead the international early music scene with their balance of historical integrity, artistic excellence and interpretive innovation. In 2026, they embark on an extensive tour in Asia, Dubai and South America and continue their residence at the Teatro Due Foundation in Parma.